Composed in 1910/11, Bartók’s Allegro barbaro is one of his best-known and most popular works for piano. The composer himself enjoyed performing it in concerts, and recorded it several times. The recording from 1929, which he referred to as the “authentic recording”, contains very interesting divergences from the printed version as far as articulation, tempo and even the number of ostinato measures are concerned. For the first time, these have been included in the musical text of our Urtext edition, and also annotated. With this first Bartók Urtext edition, László Somfai gives an insight into the many and varied musical impulses awaiting us in the Béla Bartók Complete Critical Edition, which will be jointly published by Editio Musica Budapest and G. Henle Publishers from 2016.
- 難易度 (解説)
Allegro barbaro BB 63 is an emblematic piece in Béla Bartók’s (1881 – 1945) oeuvre: in his recitals he regularly played it either as a fixed part of the programme or as encore; after his death this composition epitomized the Hungarian composer’s music for many decades. (BB number follows the work catalogue in: László Somfai, Béla Bartók. Composition, Concepts, … 続き
Als bijzonderheid heeft Henle in de partituur de verschillen tussen handschrift en Bartoks opname uit 1929 vermeld, zodat de pianist(e) zelf een keuze kan maken. Het is daarmee een bijzonder fraaie modeluitgave geworden.